composer, sound artist, performer
 

Selected works and performances

2025

  • FOSSIL Eco-Tech (work-in progress)performative sound installation with stones and sensors. Residency at MARC (Milvus Artistic Research Center) and HTK, (Handenterminalen Konst) Project funded by Viriditas Foundation, and Fylkingen.
  •  choros, composition commissioned for the exhibition and dance performance choros – by choreographer and researcher Marie Fahlin within the research project The Curative Act, financed by Swedish Research Council. Performed 7-11 of May at Marabouparkens Konsthall,
  • Min penna har tänder, sound design for the interdisciplinary stage work Min penna har tänder about the Arabic spring by Cecilia Josefsson.

2024

  • Stone Drawings  Audiovisual work composed with and by sandstone and sand from Öland and Scotland,   by Shapes of Sounds. Premiered at the festivals Nordic Music Days in Glasgow and Sound of Stockholm.
  • Per Forza Electroacoustic composition for the exhibition Parforce, commissioned by artist Mariana Silva Varela, produced by ArtLab Gnesta and Sörmlands Museum.
  •  Opacities Composition for and instrument design by glass and crystal, commissioned by percussionist Magdalena Meitzner, premiered at Historiska Museet, in a production by Samtida Musik.
  • VOICE NOISE  Audiovisual performative sound work by Sisterloops. Presented at STOFF Stockholm, developed during residency at Kulturvärftet, Helsingör.

2023

  • FOSSIL Interactive Sound Installation and performance with1 ton of limestone, collaboration with programmer Fredrik Olofsson, and geologist Jan Mikaelsson, commissioned by Museum of Öland.
  • CRASH RIDE6 – The Installation. A performance Installation with 70 broken cymbals and electronics with and by sound art and noise duo SISTERLOOPS, commissioned by 3e Våningen, for GICBA, (Göteborg International Biennal for Contemporary Arts)
  • Broken Cymbal Project Germany tour with duo SISTERLOOPS
  • Asymmetrier Electroacoustic composition for the butoh performance Assymetrier- en tredelad koreografi, commissioned by KAI-EN Butoh Company. Performed at Fylkingen, Stockholm.
  • Dansar Arkivet Sound design and electroacoustic composition for dancer Lina Palmgren, commissioned by Swedish Arts Performance Agency, premiered at Scenkonstmuseet (Swedish Museum for Performing Arts).
  • From this comes Electroacoustic composition for dancer Valentina Parravinchi, produced by DOCH, (Stockholm University of the Arts) performed at WELD, Stockholm.
  • Shapes of Sounds Workshop project in ´drawing sounds´ with visual artist Jenny Soep at Swedish Museum for Performing Arts during the exhibition- Elektronmusikstudion- Art, Science and Politics.

2022

  • 2022
  • Opacities Composition for glass and crystal, commissioned by percussionist Magdalena Meitzner (work in progress)
  • FOSSIL Composition for limestone, sandstone and electronics, premiered at Göteborg Art and Sounds Festival, also performed as acoustic version at the solo Festival, Uppsala.
  • See-through Sound design and live-compositioncommissioned by dancer Adriana Cubides. Performed at WELD.
  • Mariachi Trash performance by alias SOLOVKINA, trumpet and electronics. Performed at Konsthall C for the 10 years anniversary of Peruvian feminist collective Hysterix
  • Radio Two CD release of the duo Radio Two with trumpeter Susana Santos Silva on Italian label SUPERPANG.
  • VOICE NOISE Performance by SISTERLOOPS at Elbphilharmonie in Hamburg at the Festival Immaterielle Künst.
  • Shapes of Sounds School workshop project in ´drawing sounds ´with visual artist Jenny Soep for Region Gotland and Vallentuna Municipality.

2021

  • CRASH RIDE6 A performative sound work for60 broken cymbals and electronics, by SISTERLOOPS, performed at Fylkingen and Maschinenhaus, Essen, Germany.
  • Stone Breath Performance with music, butoh dance and film, based on stone and places along the northern coast of Öland. Collaboration project with KAI-EN Butoh Company and artist and filmmaker Björn Ola Lind. Performed at Fylkingen and as a performance installation at Galleri Alaoui, Öland.
  • Öländsk Svit Solo performance of the suite Öländsk Svit at the Nordic Music Festival, Faroe Islands.
  • See-through Composition and sound design for performance and film commissioned by dancer Adriana Cubides, performed at DOCH. (Stockholm University of the Arts)
  • Wild (Pussy) Cat Voice Noise performance by SISTERLOOPS at online festival Audioblast, curated by APO33, Nantes.
  • Shapes of Sounds School tour produced by Scenkonst Sörmland.

2020

  • CRASH RIDE Extended Composition for 18 amplified cymbals, by SISTERLOOPS, premiered at Fylkingen.
  • Mарш For snare drum and Max Msp. In collaboration with the percussionist Ulrik Nilsson, premiered at Fylkingen.
  • Lineage Composition for the dance performance Lineage, commissioned by KAI-EN Butoh Company.
  • Uninterupted Dialogue Sounddesign for the art film Uninterupted Dialogue by artist Hiroko Tsuchimoto, project for Public Art Agency Sweden.

2019

  • Am I the only one? Composition for wind orchestra. Commissioned by Stockholm Wind Ensemble. Premiered at Musikaliska.
  • Three Nails, Four wounds Composition commissioned by the artist/writer Hector Meinhof. Book and CD released on Land Press, London.
  • Öländsk Suite Composition for limestone and sandstone. Commissioned by Samtida Musik, premiered by the percussion  duo Hidden Mother.
  • SISTERLOOPS tours in Germany with performances at Museum Künstpalats (Düsseldorf), Ausland, Sherer (Berlin), dESTRUKTIVA (Mülheim der Ruhr) Künstlerhaus (Dortmund) Ebertplatz Sommerfest, (Cologne)

 2018

  • RADIO TWO – Chapter Two Composition and research project with the trumpeter Susana Santos Silva, funded by the Swedish Arts Grants Committee.
  • Les Pyrenées and Slate Compositions for slate and electronics, composed at residency at CAMP, Aulus les Bains, France. Performed at Kühlspot, Berlin and Galleri Index, Stockholm.
  • Shapes of Sounds Workshop Development of workshop in drawing sounds, together with the visual artist Jenny Soep. Funded by Musikverket.
  • Circles Audiovisual performance by SHAPES OF SOUNDS at the Festival Svensk Musikvår and at Gallery Detroit.
  • Gå hem nu för fan! Composition for voice and electronics. Premiered by SISTERLOOPS at the Festival Svensk Musikvår.

2017

  • A Dreamstate Coreography Composition commissioned by choreographer Anna Lord. Performed at Fylkingen.
  • International Cultural Exchange Russia. Performances with SISTERLOOPS at NCCA (National Centre for Contemporary Art) Moscow, and Freud Dream Museum, St Petersburg. Funded by Swedish Arts Grants Committee.
  • Canon for Mimer Site specific composition for trumpet and electronics.Performed at Norbergfestival.
  • Brutalnesse Composition for Norrbotten Big Band. Performed with VJ Raquel Meyers at the Festivalen New Directions, Piteå.
  • CRASH RIDE for cymbals and knives, performed by SISTERLOOPS. Commissioned by and performed at Husby Konsthall.
  • International Cultural Exchange Brazil Collaborations and concerts with musicians and composers in Rio de Janeiro, Sao Paolo and Bello Horizonte. Funded by Swedish Arts Grants Committee.

2016

  • I require you to listen to me know – a google trash poem Composition for Google Translate and live-electronics.Performed at Liebig12, Berlin.
  • NoiseMyTxt, Composition for typewriter, commodore 64 and live-electronics. Performed by BRUTASLISTAS at HeK, (Haus der elektronischen Künste) Basel.
  • Harmon Composition for trumpet and live-electronics.Performed at Atalante, production by GEIGER.

2015

  • Walking Praise Composition commissioned by the Great Learning Orchestra within the project ”Software for the people.”
  • Machete al Machote Composition for trumpet and live-electronics. Performed by BRUTASLISTAS (with visual artist Raquel Meyers) at Festival Vindöga.
  • RADIO TWO Composition and improvisation project with trumpeter Susana Santos Silva, performed at Fylkingen.
  • ZUNGENSTICH Collaboration and exchange project with visual artists and musicians from Berlin. Performed in Berlin at Ma Thilda and Labetto Lab.
  • Double Tounge Composition for trumpet and live-electronics. Performed at Kontrapunkt, Malmö,
  • Open – close Composition for marimba and Finnish kantele. Commissioned by percussionist Tomomi Fukagawa och Maija Kauhanen. Performed at Sonorium, Tokyo, production by Tonmakeriet.

2014

  • Hell Them Bells Composition for 4jingle bells and live-electronics, 8 channels.Performed at Fylkingen.
  • Camelen Composition for the documentary film Camelen by director PeÅ Holmkvist.
  • Wild (Pussy) Cat, Hospis Composition for voice and live-electronics. Performed by SISTERLOOPS at Titwrench Festival.

2013

  • Häst Häst Häst Composition and sound design for the theatre play by director Suzanne Osten, produced by Unga Klara.
  • Vagabunda EAM Composition of field recordings from Mexico. Composed at residency at VICC, Visby.
  • Who speaks and who makes noise? Compostition for fixed media, trumpet and live-electronics. Collaboration with stage artist Marie Gavois.

2012

  • Aum Composition for Stockholm Saxophone quartet, fixed media and percussion. Commissioned by for Stockholm Saxophone quartet. Performed in Reaktorhallen, in a consert production with Tonmakeriet.
  • Flygräddare Composition and sound design for the theatre play by director Suzanne Osten, produced by Riksteatern.

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